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Personal Description
"Write What You Feel, Feel What You Write" workshops
help people develop their creative voices in a supportive and high-energy
environment. They are open to everyone who writes - either as a
means of personal expression or as a career.
I see myself as a coach, and try to help people explore their personal
journeys through writing. One participant said that the workshop
"helped me get in touch with authentic aspects of myself, express
them, and unlock my natural style of writing." Another graduate
described the workshop as a "unique and very rewarding combination
of media, music, humor, and creative exercises."
I developed this approach towards personal exploration by looking
at my own writing. I found that I wrote best when I was freed from
the tyranny of structure and spelling. While good writing demands
structure (and grammar and organization) it equally needs creativity
and freedom.
From an early age, many people are conditioned to equate writing
with hard work. This is because our learning experiences generally
promote the notion that writing should be controlled by the adult/editor/grammar-oriented
left-brain. The result is that the emotional/creative/child-like
right brain atrophies. One of the ways I break through the adult-tyranny
is by using music as triggers (Verdi, Jerry Lee Lewis, Tina Turner,
Beethoven) to stimulate emotions that we explore in expressive writing
exercises.
A bit about my background. I used to live in Southeast Asia (Peace
Corps, advertising, journalism), and then took a job with WWF International
where I managed the international public awareness and fundraising
campaigns. I've written since I was a kid - the earliest piece I
remember writing was a third-grade play which featured flying bears,
spaceships and a fearless third-grade boy. I write now for the International
Herald Tribune, Asian Wall Street Journal, BBC Wildlife, GQ, and
other publications. Sometimes I still write about flying bears and
fearless kids.
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